In the wake of the sexual assault allegations against Aziz Ansari, I felt the need to say something about consent. I’ve seen a lot of disappointing reactions on my newsfeed today, all from men. Mainly people posting this New York Times article, Aziz Ansari Is Guilty. Of Not Being A Mindreader. Even my gay friends have defended Ansari, and, although I adamantly disagree, I can understand why they would.
When we picture a rapist, we picture someone who is physically and emotionally capable of overpowering a woman or someone who looks rough around the edges.
Aziz Ansari is the opposite of this, more than that, he’s a likable guy. Yet, he has openly joked about sexual coercion in his skits, and we all laugh at it. That’s because sexual coercion is completely normalized in our culture.
But what is sexual coercion exactly?
Most people do not realize there are multiple forms of rape. Sexual coercion, in my opinion, is one of the most insidious forms. Here’s an example:
Picture you’re sitting at a table with someone just trying to do your homework. The other person offers you a bite of their bagel. You say no thanks, but you feel bad, because you like the person, and you don’t want to hurt their feelings. Five minutes later, they offer you a bite of the bagel again. You react the same as you did before. This cycle repeats until, finally, you take a bite of the bagel just to get this person to stop.
This is something women experience every single day at the hands of men, only it’s not a bagel we’re saying no to. It’s unwanted sexual contact.
So, if you give in, eventually, that’s still consent, isn’t it?
Not exactly. What the offerer has proven by the time you cave is that they do not care about your desires, your boundaries, or your consent. They just want to get laid, and they will keep chipping away at you until they get what they want.
If this sounds like something that happens all the time, that’s because it is. Sexual assault is often in plain sight and encouraged. People think of sexual assault as violent stranger rape when the majority of rape is performed by someone the victim knows and is comfortable with. It’s nuanced like that, and because of this, women have difficulty speaking up in the moment.
You wouldn’t expect a woman to pull out a rape whistle on a trusted friend because it’s not that kind of situation. You can’t expect a woman to fight or scream “no!” at these times either.
I don’t think Aziz Ansari is an inherently bad dude, or that he is even rare in thinking that what he did was perfectly acceptable. But it isn’t that hard to tell if your partner wants to have sex with you. It’s also not hard to ask for consent.
A common reaction I see to this line of thinking is that everything is being treated with “kid gloves” now. The same argument has been made for things like autism and rampant levels of mental illness. To which I say, these things have always existed; we just have a name for them now, and we aren’t accepting ignorance anymore.
What Aziz Ansari teaches us about sexual coercion is that it is still a societal problem we need to address. Despite the #metoo movement, victim blaming is still a huge problem.
We should not be teaching women to “speak up” more often. We should be teaching men to stop wearing women down until they get what they want, and that this behavior is, in fact, a form of assault.
Aziz also teaches us that even the nice guy can be out of touch with consent. Speaking and asking questions during sex is embarrassing sometimes, but if we (I’m looking at you New York Times) are going to make the argument that women need to be socialized to speak up, we need to make the same argument about men.
P.S. Medium.com published an amazing piece on coercion and Aziz Ansari worth reading. The author articulates sexual coercion on a personal level and articulates the subject better than I ever could.
Winter is my favorite time of year. Partially because my birthday is in the new year, but mostly because the transition from December to January feels like a much-needed purge. This is when we let go of the old and believe transformation is possible.
At Christmas we dredge up old wounds with family. We think about the new year as a chance to be better. This is a period of resolution, renaissance and rebirth.
In the spirit of this, I want you to think of a person who has hurt you emotionally in the past. A person you have not been able to let go of for whatever reason.
Why do your memories of this still ache, and/or how were things left unresolved? Do you blame them or yourself? Or both?
I am asking you to go where you have refused to go before and to address this person/incident (and yourself) with the most honesty you can muster, even if it hurts.
Don’t specify who this person is or a specific incident, rather describe how they make/made you feel.
Use a minimum of 5 stanzas/paragraphs, OR, alternately, you can use 5 lines.
Doesn’t matter if you use a traditional form, free verse or prose blocks.
Address different questions/aspects in each paragraph/line.
Paragraph 1: Whose fault was it?
Paragraph 2: What were the results of the fallout?
Paragraph 3: Do you still think about them? Be honest.
Paragraph 4: How hard is/was it for you to love again?
Paragraph 5: What would you say to them now?
Does not have to be a romantic relationship. Supplement appropriate adjectives in the paragraph questions.
I could write about this all day, but here is a shortlist of female writers that have influenced me through their individual contemporary/hybrid styles:
1. Maggie Nelson
A mixture of poetry, essay, philosophy, and memoir, Bluets blows both form and genre out of the water.
2. Lidia Yuknavitck
The first book I ever read by Yuknacitch was her memoir, The Chronology of Water, which remains one of my favorite books to date. Her use of language is so precise, so powerful, so poetic, yet perfectly bare-boned and vulnerable. Her latest novel, The Book of Joan, is a modern reimagining of Joan of Arc that takes place on space station. Again, the language is incredible and completely unexpected for dystopian, sci-fi.
3. Roxane Gay
Gay blew up in 2014 with the release of Bad Feminist, a collection of essays that redefine what it means to be a modern feminist. But long before this, her debut came with a collection of 15 stories called Ayiti, “a unique blend of fiction, nonfiction and poetry, all interwoven to represent the Haitian diaspora experience.” Her novel An Untamed State, was released the same year as Bad Feminist. Gay also posts actively on tumblr with thoughts on life, recipes, and more.
4. Claudia Rankine
When Rankine’s lyrical memoir, Don’t Let Me Be Lonely, was released in 2004, she completely changed both poetry and CNF. Similarly, her book Citizen pushed this line of hybridity further when it was nominated for the National Book Award in poetry. Some argued that it was a collection of essays, while others saw it as poetic. Still others see it as both, and I am inclined to agree with them.
5. Anne Carson
If you haven’t read The Glass Essay, you need to get on that right now. Carson manages to meld poetry and the personal essay perfectly in this piece as well as The Autobiography of Red. Her poetry is typically prose heavy to begin with and extremely enjoyable to writers of different genres.
6. Carmen Giménez Smith
Crisp autobiographical poetry and a must-read.
7. Octavia Butler
Badass sci-fi daring to go where no one has gone before. “[Butler] defied formulaic sci-fi while exploiting the freedom of the genre to take her usually female and nonwhite characters to places where mainstream fiction would ten to deny them.”—Commonweal
8. Eula Biss
Please read The Pain Scale if you haven’t. She also has a myriad of essay collections that skillfully tackle hard-hitting topics.
9. Lorrie Moore
“Oh, the precarious position of fiction in our world: that over the last several decades the novel has continually been declared dead, and the short story is in constant resurrection, which means half-dead or post-dead or heaven-bound. But one continues writing anyway—as has been said by many—because one must.”—Lorrie Morre
10. Ruth Ellen Kocher
I had the pleasure of studying under this incredible poet whose hybrid work is constantly changing the game. domina Un/blued is a personal favorite.
11. Vanessa Angelica Villerreal
Beast Meridian is one of the most beautiful collections of poems I’ve read in a long time. It includes family photos, potent imagery, and wounding personal experiences to show the erasure and illegalization of Mexican-American bodies in today’s society.
12. Jennifer Tamayo
You Da One is highly experimental and uses pop culture references to explore the wound of American assimilation.
You may or may not be familiar with erasure poetry, but it’s essentially exactly what it sounds like. Taking pre-existing work, you mark out chunks of text to create a new poem. This process can be especially helpful if you’re experiencing writer’s block.
Mary Ruefle has a famous 42-page-erasure poem called A Little White Shadow that she created from Emily Malone Morgan’s Brown & Gross (1889). I believe I read an interview somewhere in which Ruefle claimed one of the main reasons she chose this text is because there are no copyright issues from a text this ancient. So bear that in mind before you spend too much time on this.
A former professor of mine, Ruth Ellen Kocher, took a different approach to erasure in her book domina Un/blued. While in Rome, she wrote tons of poems and later went back and erasured her own work. The results are absolutely breathtaking.
Many poets erasure their own work in the editing process without thinking of it as such. And many poets have difficulty letting words go. But this process is all about whittling down to the most precise language. You’d be surprised what can come out of that.
take a text you’ve either written or a text that you love and mark out chunks to create your own poem
Laura Theobald is one of the many writers incorporating modern technology into their work. Using iOS predictive text, Theobald wrote an entire collection of poems titled THE BEST THING EVER. You too can create an interesting story or prose poem through predictive text. You’ll also get a glimpse into your psyche when you see which words you use most frequently.
20-25 words minimum
start with “I died”
if predictive text repeats the same word(s) too often, hit a random letter for more vocabulary options
Here’s my attempt (I can’t stop laughing):
I died in the past, and it is literally just one of my favorite places. Yeah, that’s what I’m going through. Right after lunch, I’ll be a feeling. Like this, but so far away. I’m going home now. I’ll let y’all be good. I’ll talk tomorrow night. And love with him has no chance. I died in a good mood I guess. I died in the way you told me. I died in the world. Just let me remember that.
Plenty of people have written about the use of New Orleans as a dystopian setting over the last decade, which hits a little too close to home—literally. Yet, I cannot deny that my city does in fact make the perfect backdrop for political commentary. In the context of Hurricane Katrina, this statement makes sense, but does it still hold up?
From a local perspective, I would argue that it does for the following reasons:
1. Unwavering Weather Deathtraps
It’s hard to believe that a little over 12 years ago, Hurricane Katrina left 80% of the city flooded, at least 1,833 dead, and hundreds of thousands homeless—myself included.
While this event destroyed my 15-year-old world, it captivated the rest of the country through the national news circuit as the ultimate disaster porn for months, maybe even years.
The question on everyone’s mind—How could this level of devastation occur in 2005 in one of the most powerful countries in the world?
The images, more reminiscent of a third world country than that of a modern US city, forever shook the country’s self-view. People waiting on their roofs for days with rescue signs, houses upon houses filled with water, stragglers swimming in what was once a street, security footage of looters, the cajun navy out in their personal boats, the 27-mile-long Lake Pontchartrain Bridge in ruins, my childhood theme park (Six Flags New Orleans, formerly named Jazzland) becoming a lake instead of just having one.
Unfortunately, I wasn’t able to dissociate myself from these images the way the rest of the country did. I distinctly remember the people around me as well as the anchors on TV referring to us IDP’s (Internally Displaced People) as “refugees”—people who by definition have been forced to leave their country in order to escape war, persecution, or natural disaster.
This semantic discrepancy spoke volumes and reflected the cognitive dissonance between what people were witnessing on television and what they believed possible in their own country.
The use of “refugee” framed the black bodies appearing on millions of white American screens as foreign. The media also fanned fears of looting and crime through exaggeration, bias, and racial stereotypes: Whites borrowed for survival, while blacks doing the same thing stole. But I digress.
Between August 29 and September 17, directly after Hurricane Katrina made landfall, “dystopia” spiked worldwide on Google trends. If you look at this search trend between January 2004 all the way through September 2017, there is no other spike of this magnitude. In fact, when you look at this graph, dystopian YA is just beginning to surpass that spike in terms of popularity. That almost feels wrong, given the wave of Hunger Games, Maze Runners, and Divergents dominating publishing and film.
But if a world-ending event were to occur in America, people already picture it in our backyard thanks to Katrina, the Louisiana Floods of 2016, and even the occasional two-hour thunderstorms.
In 2017, we’ve had the strongest recorded tornado in LA since the 1950s, a biblical thunderstorm (that consequently trapped me in my car for five hours), and, at one point, there were three active hurricanes in the Gulf of Mexico simultaneously, which, scared the absolute crap out of me. I’ve never witnessed such a thing in my lifetime, and, frankly, my list of close encounters with supposedly once-in-a-lifetime weather events is much too long for my liking.
To my surprise, New Orleans has resembled Seattle more than a Gulf Coast city this year. With newly formed tropical storms and hurricane upgrades every day, I finally muted my weather alerts before hurricane season ended. I won’t even get into to the daily tornado/waterspout watches I recieved while driving across the longest bridge in the world (not hyperbole) to get to and from work.
All of this is to say, we’re never far off from apocalyptic weather or an ecodisaster down here.
2. Refusal to Put the Past to Rest
Another reason New Orleans serves as a popular dystopian backdrop is because our residents don’t just live in the past, they also glorify it.
Until I left the south, I never realized just how bizarre, let alone common, it is for a classmate to receive a scholarship from the United Daughters of the Confederacy (UDC). My mind is still boggled by the self-proclaimed American patriots around me who tote the flag of the losing side.
The confederate flag is so prevalent here, you would think it’s the state flag. I may be desensitized to this symbol now, but, as a child, I knew exactly what it meant without any verbal explanation and felt anxious every time I saw it. Children are perceptive enough to notice the commonality between flag-wielders, some of whom’s ancestors never fought in the Civil War.
While the confederate monuments have come down, this continues to be a hot-button issue among residents. The statues are permanently gone and never coming back, but people here refuse to move on, blaming any and every issue from flooding to poor fund management on metal and stone.
Class and racial tensions aren’t going anywhere, which provides a great backdrop for political unrest, injustice, war, primitivism, violence, corruption, and all the things that makeup dystopian works.
Baton Rouge, the state capital located less than an hour way, has the highest wage gap between men and women in the entire country. Baton Rouge and New Orleans also have the highest rates of HIV in the country. With one out of every 55 people in Louisiana is behind bars, we are the prison capital of the world. Oh and don’t forget that we dance in and out of the top 10 murder capitals on a regular basis.
Throw in the fact that the majority of these prisoners are black men performing prison labor, and you can see a new form of slavery that isn’t far off from plantation days. Actually, some of this labor is performed in plantations.
3. Decrepitude and Corruption
A lot of people (aka tourists) find New Orleans’ infrastructure to be “charming.” However, I’m well aware that the abandoned hospital around corner still has flood water from Katrina filling the bottom floor and parking garage. The roads and foundations are sinking faster than we can fix them. Black mold and asbestus run rampant in schools, homes, and public spaces.
Because we rely almost exclusively on tourism, the French Quarter is the only area that keeps up with preservation and maintenance, while the areas populated by local residents continue to show scars from Hurricane Katrina. The job market is almost exclusively service industry for the same reason.
Corruption is also notorious in New Orleans. Show me a politician that hasn’t blatantly embezzled money from taxpayers, and I’ll show you a unicorn. The worst part it though, is that the entire country knows this about us.
Yes, parts of this city are lovely and interesting because of their history, but tourists shouldn’t be the only people in the city who experience upkeep. But, all of this just makes Nola a better candidate for said dystopia.
Bottom line: There are a million reasons to love New Orleans, but this city still reflects past atrocities and what is still broken in modern society. Hurricane Katrina was the catalyst for this view on a national scale. However, the ingredients were there well before the storm and remain here today.
These are things we accept in New Orleans, and maybe that is in fact part of our charm. This is a city full of history, heartache, violence, ghosts, and tragedy. But it is also a place of love and magic, a place where people can express themselves without judgement.
There are things I would like to change, but the reality is that this colonial city is set in her ways. So, for now, you can either take it or leave it or just accept that nothing, including this crime-riddled city, is solely good or bad. Either way, no one in the US knows dystopia better than New Orleanians.
Writer’s block, listless lingua, poetic impotence—whatever you want to call it—I’ve been forcing myself to write through it for years now. After all, one of Hemingway’s most famous works, The Old Man and the Sea, came directly out of writer’s block.
But after years of writing through it, the results—a ton of first chapters, hundreds of unfinished poems, and a slew of half-hearted essays—are less than desirable.
Never in my life have I experienced writer’s block. I was always that ambitious student in the front row who could spin a tale from any assigned prompt, always volunteering to read it out loud at the end of class. So how did I get to this place?
Exhaustion from professional reading, editing, and writing
Writing endlessly through past trauma for creative purposes
Pushing emotions down instead of using them as creative fuel
Only looking at work through the lens of the reader
Writing extensively sans passion/inspiration to beat the block
Hemingway may have been able to write through his soul-numbing creative drought, but I simply couldn’t do it anymore. Somewhere in the middle of grad school, the blank page became my enemy, reading felt like a burden, and I hated everything I managed to put into words.
What I’m talking about here is not your run-of-the-mill writer’s block. If it were, writing prompts, coffee shops, family squabbles, people watching, and a number of other random things would pull you out of it quickly.
I’m talking about something much more sinister. It is recurring exhaustion, disillusionment, existing in a mechanical or automatic state. It is going full-speed into Self-Deprecationlandia without any hope of resurfacing. It is the inability to find inspiration over prolonged periods of time, despite your dedication to “write through it.” It is losing touch with why you became a writer in the first place. No, what I’m talking about is longer and darker than standard writer’s block.
So how do you write through numb periods like this when the act feels on par with vacuuming a staircase or cleaning the toilet?
The simple answer is—you don’t!
When one of my undergraduate professors gave me this advice seven years ago, she changed my whole perception of writing and how it should be done. She said she went through periods of consumption and regurgitation. In other words, she took time to ingest lots and lots of media and mull over her thoughts before entering a long writing phase or working on a book project. This method is both obvious and sacrilegious at the same time.
So often as writers we are told to carve out a practice and stick to that schedule every single day, to write through writer’s block, and to, above all, never stop. In reality, I think this can be damaging to some of us.
At the upper echelons of academia, passion is inadvertently stamped out, while the pressure to publish, contextualize, and evolve reign. Production is never-ending. Some find this challenging and fun; others feel drained. Either way, you keep moving.
This professor’s advice permitted me to take a break from writing. And this professor is the only person ever to do so.
Rethinking Writing Practices
After so many years in this discipline, I no longer see the practice of writing in terms of black and white. Instead, I see it as a natural cycle or fluctuation. There are times when forcing yourself to write is helpful, even healing, and should be done. But that force can also reach a point of killing your passion for the craft altogether.
There is a timing and balance to writing that cannot be forced, which is why we find ourselves writing about childhood trauma decades later. You need enough emotion to power you through the act itself and enough distance to craft that feeling into something worth sharing with the world. You need time to analyze your emotions and the events in your life to fashion art from that.
Some write solely from raw emotion and experience, which many describe as reopening an old wound and letting it bleed. This type of writer also needs time to heal or practice self-care from time to time.
Even creative writing/lit professors take sabbaticals every few years to nourish their minds and spirits. While this suggestion goes against everything we’re taught as writers, I think it is necessary to say aloud. It’s okay if you have nothing to say right now. It will come to you later, and when it does, it will flow out in bursts. It will feel natural. It will not feel like a chore.
Most creatives have multiple interests, skills, and hobbies. Every time I put a pin in writing, I find it helpful to play piano, paint, crochet, draw, record songs using old poems as song lyrics, make gifts for upcoming holidays, take my pooches to the dog park, go hiking or to somewhere I’ve never been, research something I’ve always wanted to know more about, or take up a new hobby altogether. This provides a respite from the blank page while channelling other parts of your creativity, building your confidence back up, and giving you ample inspiration for your current or future projects.
It took three weeks of vacation for me to finally shake the last three years of writer’s block.
Spending time with my family, sleeping in my teenage bedroom, not pounding out copy/edits eight plus hours a day, watching my favorite sci-fi/fantasy films, and reading captivating books for the first time in ages all reminded me of why I do what I do and inspired a novel I truly care about finishing.
Forcing myself to write isn’t so bad—when I have something to say. Ultimately, inspiration and restfulness are paramount to my creativity and maybe to other’s creativity as well. Like medical treatments, writing practices aren’t one-size-fits-all. The most important thing is to listen to yourself and protect that well of creativity with everything you have. Don’t be afraid to experiment and find what’s best for you.
For the second time now, I have entered the blackhole that is the ketogenic diet. I don’t think that I have a gluten allergy necessarily, but I can’t deny the fact that every single time a refined carb enters my body the results are less than desirable. Like clockwork, my blood sugar immediately crashes, my stomach hurts, my arms and legs tingle and I can no longer see my feet, thanks to my suddenly bloated belly, while being simultaneously met with an insurmountable fatigue and brain fog that makes work difficult the rest of the day.
These also happen to be some of the most common symptoms of gluten intolerance1, granted they could also be signs of countless other medical conditions. The point is, many of us experience symptoms like this throughout our lives and come to see it as normal.
It’s no secret though, that the ingredients which makeup refined carbohydrates – flour and sugar – are extremely unhealthy, especially at the rate the average American consumes them. That is one reason why I’m back on the ketogenic diet.
Another catalyst for my diet change stems from the life-long pleas of physicians, psychiatrists and family members to undergo testing for thyroid problems, anemia, mental illness and various autoimmune diseases.
As a chronically sick kid, I was tested extensively for autoimmune diseases. As an energy-devoid adult with mild depression and anxiety, I drug myself to the doctor’s office to have my blood drawn and tested for hypo and hyperthyroidism. The results are always the same – inconclusive. If I had a nickel for every time a doctor told me to take more vitamin D and B12…well, let’s just say I wouldn’t be living paycheck to paycheck like I am now.
The truth is, no matter how many vitamins I shove down my throat, my symptoms persist. It wasn’t until I reached an unbearable point of exhaustion, depression and anxiety that I started logging my symptoms, eventually linking them to my diet. It was so obvious, and yet, I’d never really given my food a second thought when looking for the culprit.
Once I saw the link though, I couldn’t help but notice the wave of garbage feelings – physical, mental and emotional – that washed over me and clung the rest of the day like Saran Wrap.
By that point, I’d already been a pescatarian (from 14-19 years old), a twice-failed vegan and a brief raw enthusiast who shaved her own cucumber and zucchini noodles with a mandolin slicer every night. I’d been experimenting with fad diets most of my life, but carb elimination terrified me. Partially because a carb-less existence seemed pretty meaningless.
I think the main thing that freaked me out about low-carb dieting though, is that it goes against everything I’ve been taught on healthy dieting: “Meat is bad/causes cancer. Dairy is bad. Fat is bad.” My father was even put on the cholesterol medication, Lipitor, in his mid thirties after a huge weight loss on the Adkins diet.
The popularity of the paleo diet is what changed my mind in the end. It’s hard to argue with the back to basics logic inspired by our ancestors, to whom today’s obesity epidemic would be nothing short of a Black Mirror episode – but I digress. It just makes sense to me. I figured I should at least try a low-carb diet before writing it off.
The first few weeks of keto were rough the first time around. I felt hungry all of the time no matter what I ate. My body, deprived of carbs for the first time, was in shock. All I wanted was some comfort food like mac and cheese, avocado toast, pizza or at least a decent side-dish.
But after I got over that part of the diet, I was almost never hungry. I ate once or twice and felt satisfied the rest of the day. My food cravings completely evaporated. The biggest benefit though was that my blood sugar stabilized, and while I wasn’t exactly the Energizer bunny, I had more energy throughout the day, felt less moody and my concentration improved significantly. I wasn’t the only one who noticed the improvement either.
I did that for a three or four months before I fell off the wagon. I don’t remember why, but I think part of it related to my lifestyle. I still wanted to go out drinking with my friends. The problem with drinking on a low-carb diet, aside from the fact that you’re not supposed to drink at all, is that you can’t soak up the alcohol at the end of the night with delicous carbs. Every time I drank on the keto diet, I regretted it…a lot. That led to cheating which led to quitting altogether.
Although I’ve seen quite a few people manage to do it, this diet isn’t always sustainable. I’m not even sure if it’s the best possible fit for me or as healthy as it claims to be either, but it definitely makes me feel great. I’m not going to lie though…It’s only been three days, I already miss pizza, pasta, chips, mashed potatoes, fries and pretty much every kind of bread.
Truthfully, I think it would be irresponsible of me to fully endorse a low-carb diet since I’m not a registered dietitian, doctor or nutritionist. I also don’t believe there is any universal diet that works for everyone. You have to do what feels right for you, and you should definitely consult a medical professional before significantly changing your diet.
I will say that there are different levels to food allergies and intolerance. Gluten alleriges, for example, are mostly determined through elimination diets despite available blood tests and biopsies. Beyondceliac.org’s article Blood Tests to Diagnose Celiac Disease Under Scrutiny, says, “The fact that celiac disease has been given a comprehensive evidence review indicates an acknowledgement by Health and Human Services that there is a need for increased celiac disease diagnosis.”
Low-carb diets, like the ketogenic and paleo diet, are essentially elimination diets. I certainly didn’t think carbs could effect so many parts of my life until I stopped eating them. Even when I gave up on the diet the first time, I still made better choices afterward because I knew how much better my day would be on a low-carb breakfast.
Now wish me luck resisting the carb sirens on Day 4, please. I desperately need it.
1. [Disclaimer: I don’t think everyone has celiac or the gluten intolerance level of one. If you’ve ever witnessed someone with celiac post-gluten consumption, you won’t need much convincing of this.]↩
I’ve always been a massive horror geek. Naturally, I saw the IT remake last Saturday. Technically, it’s not a remake since the original IT (1990) is a miniseries, but we all know that this is the 2017 retelling of that miniseries/novel.
Ninety percent of the time remakes are a huge let down compared to the original, but that was not the case with the 2017 IT film. Can I tell you that I have not screamed that many times during a movie since the ripe age of 13? And I loved every second of it. My god, Pennywise will haunt my dreams for years to come and breed a whole new generation of coulrophobiacs. And I am here for it.
IT makes heavy use of the bus technique. If you’re not familiar with the “bus technique” made popular by the movie Cat People (1942), it’s essentially a false scare and usually occurs when a character feels like someone is about to get them, and right when this seems certain, something completely innocuous jars the character (and the audience). IT is full of “busses,” and every single one made me scream across the theater like a little girl (sorry, fellow movie goers).
Something else I really enjoyed about this film is the way “fear” changes for each child. In the original miniseries, It remains in clown form throughout the movie; the monster is universal. So if you’re not that scared of clowns, big whoop. In this 2017 version, It morphs into each child’s darkest fear – exactly like a boggart – switching from clown to leper to creepy-Picasso-painting woman to another character’s father.
I sort of have a unspoken rule when it comes to horror films that I think most people agree with: Don’t. Show. The. Monster. Cheap CGI and special effects are the fastest way to lose your audience and emasculate your monster. But that was not the case in this film. IT did not skimp on the animation budget, not one little bit.
I’m not going to spoil the movie plot anymore than I have, but I will say that this film is worth its salt.
Although the IT miniseries debuted in 1990, the book was released in 1986. The 2017 film is set in 1980s like the novel, which seems to fall in line with new wave 80s horror. It Follows (2015) is perhaps my favorite example of this genre; although, the director claims the film is anachronistic and inspired by one of his recurring nightmares. While Stranger Things (2016) isn’t technically horror, or a movie for that matter, it certainly says something for the popularity of the 80s resurgence in film. And I can’t wait to see what follows.
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