Tag: Opinion

8 Must-Stream Shows & Movies in July

If you’re like me, you end up surfing Netflix, Amazon Prime, Hulu, and HBO GO for hours, eventually wondering where that precious time went. There were at least 5 things you wanted to watch a week ago, but now you can’t seem think of a single one. Worse, it’s the beginning of the month, and now there are even more titles to choose from.

Luckily, I had a chance to comb through all four streaming services over the weekend to find the best available movies and shows (imo). Here’s a shortlist of late June/early July must-streams:

 

1. Okja (Netflix)

Netflix’s Okja will have you laughing, crying, and considering if you should really eat that slice of bacon in the morning. Meet Mija, a tomboy being raised by her grandfather on a remote farm in South Korea. Mija and her super-pig, Okja, are inseparable. Until a representative of the Miranda Corporation shows up to take Okja to America that is. Mija immediately sets out to rescue her friend before it’s too late. A blend of Korean and American film, this all-star cast delivers an epic performance that will stick with you for days.

2. Nerve (Hulu and Prime)

Vee (Emma Watson) is a meek high school senior living in the shadow of her best friend, Sydney.  After Sydney goes to far, publicly humiliating her in front of her crush, she decides to play the game everyone is talking about. Nerve gives participants a timed dare and a handsome reward. As Vee completes more dares, she breaks out of her wallflower persona, but the dares are also becoming more and more extreme.

3. The Handmaid’s Tale (Hulu)

Based on the 1985 book by Margaret Atwood, The Handmaid’s Tale is a truly terrifying depiction of conservatism gone too far.

4. Loving (HBO)

This love story is based on the real lives of an interracial couple, Mildred and Richard Loving, who were arrested for violating the Racial Integrity Act after they married and lived together.

5. Glow (Netflix)

Wannabe-actress Ruth never seems to catch a break in this quirky, 80s-nostalgic show.

6. The Girl With All the Gifts (Netflix and Prime)

This is one of the best zombie movies I’ve seen in a long time. In a second generation of zombies (those that have eaten their way out of the womb), Melanie seems oddly human, and Ms. Justineau, her teacher on the military compound, is the only who believes in Melanie’s humanity. Incredibly suspenseful and thought provoking.

7. Love (Netflix)

Too real for those of us mid-to-late 20-somethings that are still single due to our own emotional chaos.  Yet, Love offers up hope that despite our complications, there might still be someone out there just for us.

8. Riverdale (Netflix)

If you need something to fill that Pretty Little Liars shaped hole, Riverdale is just the thing. When a missing teen’s body washes up on the lake shore, his accidental death is ruled a homicide after a bullet wound is discovered. But everyone in Riverdale has a secret, and the killer could be anyone.

 

I’m also looking forward to these forthcoming July titles:

  • Friends from College (Netflix July 14)
  • Game of Thrones (HBO July 16)
  • Tour de Pharmacy (Netflix and HBO July 8)

 


 

If you’ve come across any streaming gems of late, let me know by leaving a comment below!

– Liz

10 Stunning Books of Poetry Set in Louisiana

As fun as Mardi Gras is, Louisiana has much more to offer in terms of entertainment.  

Louisiana has been home to many celebrated authors, such as Anne Rice, Tennessee Williams, Kate Chopin, John Kennedy Toole, and Truman Capote. But there are some lesser-known authors and works that capture unique facets of this mystical state, which is marked by an incredible resilience, breathtaking swampscapes, and a long list of past traumas from the slave trade to the devastation wreaked by Hurricane Katrina.

Here are 10 stunning books of poetry set in Louisiana(ish):

1. Blood Dazzler by Patricia Smith (Coffee House Press, 2008)

dazzler

While Smith isn’t a Nola native, Blood Dazzler remains one of the best poetry collections on Hurricane Katrina to date. With quiet fury and expertly crafted tension, Blood Dazzler takes the reader through the utter terror of wading and waiting through the storm. The cadence of the language and stunning imagery will blow you away too.

“Scraping toward the first of you, hungering for wood, walls, unturned skin. With shifting and frantic mouth, I loudly loved the slow bones

of elders, fools, and willows.”

 

2. Missing the Moon by Bin Ramke (Omnidawn, 2014)

moon

A few years ago, I reviewed Missing the Moon for The Volta blog. There was a point in time where both Ramke and I lived in Denver. I approached him after a reading one night when his poetry struck me as familiar. “Are you Cajun, too?” I asked. “Yes, how did you know?” he said, and we proceeded to chat for the next few hours about our shared history.

Missing the Moon perfectly captures the insidious encroachment of Americanization that nearly destroyed Cajun culture after the Red Scare.  Forced into the swamps, Ramke shows us how Cajuns belong on neither land nor water, speak neither French nor English, instead, remain displaced between worlds.

“I translate myself into myself—
sane phrases, words and words
Returning into Sabine Bay we would
stare forward into a horizon the dark
smear of cypress and palmetto not
yet arisen to separate sky from water
the shape of the boat a word…”

 

3. Book of Southern and Water by Emmalea Russo (Poor Claudia, 2013)

russo

I stumbled upon this treasure when I was really homesick. In the midst of a 3-year masters program in Boulder, CO, over 1,300 miles away from LA, everything around me made me feel dislocated. The climate and culture could not be more different.

Reading this felt like coming home. Like being wrapped in humidity and warm rivers. Russo captures the Louisiana landscape the way one photographs someone they love.

“this is the bottom                                  this is the bottom

the bottom of the country                   moist crowded

something like safe inside

the time it takes for skin to dry…”

 

4. Smoked Mullet Cornbread Crawdad Memory by Rain C. Goméz (Mongrel Empire Press, 2012)

mullet

When I first saw the name of this book, I thought: A) Could you repeat that? And B) A redneck definitely wrote this. I couldn’t have been more wrong. Goméz, a Ph.D. working within TransIndigeniety and Diaspora in Literary and Cultural Studies, Ethnic Studies, and Creative Writing, is a self-identified, Louisiana Creole mestiza with a stunning perspective. These prose poems illustrate a unique and underrepresented intersection of  Louisiana. Plus, the book took home the Native Writers Circle of the Americas’ 2009 First Book Award in Poetry.

“The layers of my skin are made
From story and memory.
I am fashioned from the experience
Of mothers,
Of fathers.
I move in constant awareness that
This act of being was not easily won. “

 

5. Slab by Selah Saterstrom (Coffee House Press, 2015)

slab

Originally from the Mississippi Gulf Coast (and the MS/LA border), Saterstrom was deeply affected by the aftermath of Hurricane Katrina. While post-Katrina Louisiana is often used as a backdrop for dystopian works, this collection of experimental, political, playlike, prose poems is undeniably one of a kind. Slab is a meditation on disaster. In it, we follow Tiger, a southern woman turned stripper. The decay left in the wake of Hurricane Katrina she must overcome represents the lingering post-Civil War deterioration of these Gulf states and serves as a call to action. Bottom in education, healthcare, infrastructure, crime, and overall quality-of-life, Slab refuses to romanticize or hide our wreckage.

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6. Boy with Thorn by Rickey Laurentiis (Pitt Poetry Series, 2015)

thorn

“It’s the experience of being from a place and then, suddenly, that place being caused to changed—radically, quickly—such that in some ways it’ll never be what you remember it as again. So I want to say, like the military child, I’m at work to get back to this remembered home that, in some way, doesn’t anymore exist.”—Rickey Laurentiis

“Rickey Laurentiis’ debut poetry collection, Boy with Thorn, arrives at a crucial time in American literary discourse, engaging the oppressive and harmful legacies of our nation with clarity and intelligent critique. Laurentiis’ collection as a whole is honest in recognition of a life lived through violence. The reader must praise the landscapes in this collection, in the midst of its terror and destruction, for also producing Laurentiis’ lyric beauty and wisdom. His relentless recognition of personal truths and reclamation of narratives formerly silenced is an example of poetry at its highest form.” Yael Massen, MICROREVIEW: RICKEY LAURENTIIS’S BOY WITH THORN, Indiana Review.

 

7. One Big Self by C.D. Wright (Copper Canyon Press, 2007)

onebig

Louisiana is the prison capital of the world. “Compare Louisiana’s rate of 816 people per 100,000 with Russia’s 492, China with 119, France with 100, and Germany with 78…Louisiana has long been much more severe in sending black people to prison than whites, at least after black people were no longer slaves…Angola Penitentiary remains the largest maximum security prison in the United States. There are over 5000 prisoners at Angola alone. The average sentence for prisoners there is 93 years. About 95 percent of people serving time at Angola will die there under current laws.”—Bill Quigley, Louisiana Number 1 in Incarceration, Huffington Post.

After C.D. Wright, a renowned poet from Arkansas’ Ozarks, was invited by photographer, Deborah Luster, to Angola Prison, she felt moved to write One Big Self. Part prison portraits, part poetry, “the discrepancies between the photographer, writer, viewer, and inmate are multiple, blaring” (Wright).  Many of these haunting images resemble Civil War-era, tintype, portraits of slaves. The message is clear, and the evidence—hard to deny.

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8. The New Testament by Jerricho Brown (Copper Canyon Press, 2014)

thenewtestament

Dripping with biblical nomenclature and gospel-like lyricism, The New Testament is an incredible, original collection of poetry. It is almost impossible to separate Brown, a self-identified gay man of color and Shreveport native, from the book’s narrator, which perhaps is the point. The text is imbued with intimacy, exile, ambivalence, struggle, and passion. Like Lucifer, the narrator is cast out of heaven, yet he finds small ways of coping, replacing the omnipotent “He” with a lover. “In the best moments, Brown weaves together strains of religious invocation with his uneasy identity as a southern, gay, black man into a beguiling self-myth.”—Craig Morgan Teicher, A Collection Of Poems That Offers An Unlikely Kind Of Hope, NPR

Psalm 150
Some folks fool themselves into believing,
But I know what I know once, at the height
Of hopeless touching, my man and I hold
Our breaths, certain we can stop time or maybe
Eliminate it from our lives, which are shorter
Since we learned to make love for each other
Rather than doing it to each other. As for praise
And worship, I prefer the latter. Only memory
Makes us kneel, silent and still. Hear me?
Thunder scares. Lightning lets us see. Then,
Heads covered, we wait for rain. Dear Lord,
Let me watch for his arrival and hang my head
And shake it like a man who’s lost and lived.
Something keeps trying, but I’m not killed yet.

 

9. You Good Thing by Dara Wier (Wave Books, 2013)

You_Good_Thing_for_website_grande

This collection doesn’t explicitly mention Louisiana or Katrina, but it is implied by the abundance water imagery and wild chaos of the text. Wier is originally from New Orleans. “Many of Weir’s stanzas draw a reader away from a recognizable world into one in which women waltz with bears, houseflies chat with colonels, and the absence of sound makes a material presence.”—Harvard Review

“You took the boat onto flattened waters./ White wall of blue morning fog to slip into./ You withstood what is was that was wailing you through./ There you were standing on nothing, looking down at two/ Blackfeathered slashes your two hands held on to.”

 

10. Flood by J. Bruce Fuller (Swan Scythe Press, 2013)

Flood“Written by current Stegner Fellow J. Bruce Fuller, Flood is the kind of read that sticks with you, like the lingering floodwaters of a rain storm, like the water lines you can see when they recede. The book is split into two parts “1927” and “2005,” each indicating a different year when water altered the landscape and lives of the people of Louisiana. Fuller reaches into his family and personal history to tell stories of what is lost when waters rise, but also what one learns from experiences like this, such as in “The River Is In Us”: “Each of us is planted / in the earth for a time / when the river inside us / mouths open to the sea.”—Kimberly Ann Southwick, 3 Chapbook Reviews: Loving and Living in Louisiana, Ploughshares

And if she is angry
her belly constricted
by our levees
she will erupt
silt like ash

 

 


Is It Okay to Read Trash?

Most of us don’t start out reading Nietzsche, Kafka, or Joyce and with good reason—it isn’t fun! 

When I was in middle school, I was obsessed with trashy romance novels (also, Harry Potter). My trashy tastes have since moved on to paranormal teen romance, which is weird because I essentially went from being a historical-adult-romance-reading teen to a paranormal-teen-romance-reading adult (funny how that works sometimes).

Now I don’t mean to put classic writers like Joyce down; after all, he gave us this gem: “The sea, the snotgreen sea, the scrotumtightening sea” (Ulysses). And he was one of the biggest literary pioneers of the 20th century, along with fellow modernists Gertrude Stein, Ezra Pound, Kafka, and Lorca.

Yes, arduous reads are absolutely worth the effort. After all, these are the texts that transform you from ‘just proficient’ to master. These are the texts that make you reach and pull and grow intellectually. I don’t think anyone would bother to argue against their value. Yet, plenty of people like to police reading habits if they happen to include garbage books.

This is something I would never have admitted to my classmates in grad school, but I don’t think I would have ended up with an MFA had I not taken an interest in salacious lady-porn-trash in the 5th grade. That was the catalyst for my love affair with reading. Despite this knowledge, I found myself asking this question during and after grad school quite a bit:

Is it okay to read unchallenging, garbage simply for entertainment value?

Fuck yes it is, and here’s why:

1. Challenging reads never go away. 

Academic track or not, you will have to read taxing things you don’t care about for the rest of your life. It’s just a part of our existence, so you might as well enjoy what you read in your free time.

2. It will keep you inspired. 

All of us avid readers/writers got here somehow, right? Maybe it was trashy romance or some cheesy, predictable mystery series. Whatever it is, I believe deep-down that everyone loves to read, and I’ve found successful ways of getting adamant, self-proclaimed non-readers to love it. It’s just a matter of finding something you connect with. There’s a reason 46% of romance readers read 1 book per week compared to the 5 books a year the typical American reads.

3. You will discover what sells. 

I will never forget this life-changing advice a professor handed down in graduate school: Don’t be too high-brow to find out what sells. Part of his success as a famous novelist is attributed to reading best-sellers. As a writer, it will benefit you to have a grasp of what readers and publishers alike want. And if you happen to enjoy the “research,” so be it.

4. It provides you with sweet, sweet relief. 

There are tons of psychological benefits to reading what you like. Stress relief is at the top of the list. Other benefits include natural memory loss prevention, increased empathy, sleep aid, improved writing skill, plus it’s a cost-effective form of entertainment compared to movies and certain outdoor activities.

5. You learn from it. 

Even trash has an editor. If you want to ingrain grammar, spelling, and new vocabulary into your brain, keep reading that trash. You’ll also pick up naturally on the formula of the genre you like, which will make it easier for you to plan and write your novel.

6. It helps you escape reality.

“There is no frigate like a book.”—Emily Dickenson

Escaping reality might sound a lot like running away from your problems, but it’s the exact opposite. How many of us have turned to reading and writing after trauma? Your parents’ divorce, a family member’s death, surviving a natural disaster, undergoing physical or emotional abuse—even the necessary act of growing up is traumatic to some extent. Reading helps us look outside of ourselves and process these emotions and experiences. It lets us travel through space and time when we’re destitute. It keeps us from feeling alone, even if we are.

7. It empowers us. 

All sorts of sexist tropes exist in trashy romance novels, and yet tons of women feel empowered by them. In Anne Browning Walker’s contribution to the Huffington Post blog, Why Smart Women Read Romance Novels, she says:

“Our society feels threatened by women having sex. Romance novels present the opposite view. Authors use sex scenes to present a healthy activity shared by two consenting adults who (in the end, if not at the moment) fall in love with each other. Heroines are sexually satisfied during each encounter. There’s a safe space to explore your fantasies and figure out what turns you on. Nothing dumb about that.”

This also goes for sci-fi novels with people of color protagonists, YA novels starring gay teens, and books like Crazy Rich Asians—one of the few novels straying from tokenism and asian stereotypes with western success. It’s kind of like Gossip Girl, but these kids put Serrena Vanderwoodsen’s and Chuck Bass’ fortunes to shame. The cool thing though, is that the book allows a large cast of asian characters to be vapid, hot-mess pieces of shit, which is pretty absent from mainstream media in the US. It also begs the question: Why are these types of works really considered trash in the first place? 

8. “Good” is subjective. 

What qualifies a book as “good”—or “bad” for that matter? You can check out the Goodreads and Amazon reviews or hit up the NYT bestsellers list to see what a whole bunch of people you’ve never met think. Perhaps, you should go with the literary canon pounded into you most of your life by people who’ve also had the literary cannon pounded into them?

Few acknowlege the gaping issues in the literary canon as well as the Modernist Movement I discussed earlier, which excluded black writers of the New Negro Movement (Harlem Rennaissance) at the time and appropriated West African art without citation because white writers considered this art “primitive.” (Yet they thought it was good enough to steal, lmao.) Yikes.

The point though is that it lacks inclusivity. When you can’t relate to a book, or you know your particular demographic is subjugated or excluded entirely, it makes it that much harder to enjoy. Make things simple and think for yourself. Just because your professor thinks it’s “good,” doesn’t mean they’re looking at the big picture.

9. Haters gonna hate. 

fabio
You knew this was coming.

If you’re in graduate school or a literary community, those in your coterie will try to shame you for reading trash. The high-brow, art school mentality is an unwitting tool of colonialism that ultimately limits the hater. But I digress. Don’t let other people decide what you should like because it will make you fucking miserable.

Let’s be real for a second though. Carrying trash around is embarrassing in these spaces. Can you imagine walking into an MFA student lounge with Twilight or Fifty Shades of Grey in your hand? Or any space for that matter? Hell no! You might as well tape a “make fun of me” sign on your back.

Still, you like what you like so if you want to avoid embarrassment, do what I do—cover that shit up with a false book cover from a more revered title that no one will want to talk about. E-books are probably the safest option, but personally, I need to hold a book in my hands.

10. It’s fun!

There is no greater joy in life than reading a book you can’t put down. So engrossing you carry it with you around the house, the office, or wherever you go “just in case.” Or you dream about going home all day to be with it. So good you lock yourself in a closet with a flashlight so you can soak it all in without interruption. This kind of reading isn’t a fun acticity so much as an addiction—and it’s a high worth chasing to the very last drop.

 


hexhall

 

Q: What are you reading?

A: Currently, I’m on Book 2 of the Hex Hall series, which follows Sophie Mercer, a teen witch in her first year of boarding school. Only it’s not your average school.

Hecate Hall, or Hex Hall (as it’s been renamed by students), is full of magical beings. Sophie isn’t sure how she feels about sharing space with werewolves, fairies, shifters, and vampires—but she doesn’t have much of a choice.

Aside from being banished to Hex Hall for the rest of high school after accidently revealing herself to humans, Sophie’s situation becomes more unpromising when young witches begin turning up dead. And there are no leads as to who the killer might be.

What’s your favorite trash? Comment below to tell me what you’re reading! 

Becoming a Creative Writing Major: Yay or Nay?

Getting a degree in creative writing is both the best and worst decision I’ve ever made, and I wouldn’t have it any other way. 

A lot of amazing and crappy things have happened along my writing journey. I was one of 5 poets accepted into my kickass MFA program my year. I now have a stable career as a full-time national magazine editor. But getting here wasn’t easy.

I’ve had stressful periods of unemployment that’ve made me seriously question the value of my education. I’ve had to borrow money, network (which is a nightmare for an introvert), face countless rejections, and a whole list of undignified things I won’t get into.

There is a lot to consider and a lot of risk when you decide to major in something like creative writing, painting, theater, dance, singing, or any type of fine art. So what have I learned between undergraduate and now? If I could go back in time and give myself advice, here’s what I would say:

 

1. Find what you love early.

happychick

Halfway through undergraduate, I finally asked myself: “What do I love? What will make me happy every day?” Many of us feel that happiness is a luxury, especially in these uncertain economic times. And by the time I asked myself these questions and switched majors, my classmates were ahead of me in pretty much every way, including graduate school applications, craft level, foundational knowledge, required reading, performance, and networking. It’s always good to be practical and weigh your options, but try to find a way to make your passions work for you instead of repressing them or being negative. Talk to people doing what you want to do and find out how they did it. Figure out what you can do with a CW degree if plan A fails.

 

2. Pursue it with everything you have.

workharder.jpg

Once you find out how your professors and other writers you admire got to where they are, hatch a game plan and ask the hard questions. Is your goal to go on and get an MFA or PhD? To teach? To write and edit? Be a celebrated novelist? Go for it! And whatever you do, do not give up. When you make that decision and act on it every day, everything will fall into place.

 

3. Don’t be afraid to experiment.

Shakespeare_by_William_Blake

Ever since I was a child, I’ve had this longtime fantasy of becoming a revered novelist whose work would live on for hundreds of years in true Shakespearian glory. So what happened? Well aside from the fact that I wasn’t even a poet or playwright at the time, all of the intro level fiction classes filled up before I could get into one. So I was forced to wait for the next semester and in the meantime take poetry and screenwriting courses. And boy, was I terrified. Little did I know that my first poetry class would change the entire trajectory of my life. Later, in graduate school, I went out on a limb and tried a creative nonfiction class and fell in love with that too. What I’m saying is that you should always try new things and push yourself out of your comfort zone. If you’re afraid or uncomfortable, it means something great is around the corner!

 

4. Let go of the ego.

meditate.jpg

As someone who has both taken and taught many an intro-level creative writing class, one of the best things you can do for yourself is leave the ego at the classroom door. No one is trying to hurt your feelings – quite the opposite. If you truly want to get better at this craft and make a living at it, you have to be open to criticism. When I was younger, this was an especially hard pill to swallow. You will never ever stop learning; you will never ever be at the finish line, and this is something all great writers know. If you get into freelancing, you will have to learn to be intuitive and figure out what your editor expects/wants and deliver it. If you want to write a successful book, you will have to understand what your readers like and don’t like. When you look at constructive criticism as a tool of success, critiques will be much easier to deal with.

 

5. Know what you’re getting into.

planning

As you’re probably well aware, creative writing is not a lucrative field. On top of that, it is extremely competetive. Only a small few go on to earn PhDs, and out of those, few are offered full-time professorships. You will experience tons of rejection along the way from your workshop peers, you professors, the programs you want to get into, and from publishers.

One of my graduate school professors kept a massive binder full of rejection letters from publishers he submitted to. He is now an extremely successful novelist, but he keeps the rejections to show students how many “no’s” you’ll hear before you hear “yes”. Without publications, you don’t have much of a future as a creative writing professor, so you need to constantly submit your work. Eventually, someone will say YES, and you will be reminded of why all of this is worth it.

 

6. More rejection.

frustrated

The first year I applied to graduate schools, every single one rejected me. That stung quite a bit, but my portfolio was shit, and I knew it. Since you can only apply once a year to MFA programs, I got an office job. I did that for a year, and it made me realize how badly I wanted that MFA. I worked and worked on that portfolio. I re-took the GRE as well as the classes I hadn’t done so well in. I went to my former teachers for advice and letters of rec. I made sure my personal essay reflected my personality and my passion for poetry in a creative way. When I applied the next year, I got into 3 great programs! What I learned from that is that you can choose to let rejection get you down, or you can use it to motivate you. In the end, that year of sitting out helped me realize what I wanted and made me count my blessings when it finally happened.

 

7. Be adaptable. 

evolution

This is the strongest piece of advice I can give. Learn everything you can about everything. Read constantly. Concentrate on your craft. Build a portfolio that you can distribute after you graduate or start doing freelance gigs while you’re still in school. If you don’t get into graduate school or become the next JK Rowling right away, you need to have a backup plan. Freelancing is a great way to make money, and you can even work from home. But most companies don’t care about your short story. They want marketing and ad copy or articles on business, beauty, fitness, tech, etc. If you love fitness or tech, write about it! Also, practice writing on topics you know nothing about. If you can do that and get fast at it, you’ll be just fine.

 

8. There isn’t a limit to the writing club.

dream

A huge flaw many of us have when pursuing our dreams is believing there are only so many spots for success at the table. Yes, only a few students will be accepted to such and such program. Yes, only a few of the PhDs from that class will be offered full-time jobs when they graduate. But if I’ve learned anything, it’s that you can have whatever you want in life if you work for it. That doesn’t necessarily mean you will get it on your first try. Sometimes you have to prove just how badly you want something before others listen, but eventually, they will listen.

 


 

There is much more to be said about creative writing degrees, but these 8 points are a great place to begin. Don’t be afraid of taking risks in life, especially when you’re young. Find your joy, and make it your everyday.

Until next time!

–Liz