I could write about this all day, but here is a shortlist of female writers that have influenced me through their individual contemporary/hybrid styles:
1. Maggie Nelson
A mixture of poetry, essay, philosophy, and memoir, Bluets blows both form and genre out of the water.
2. Lidia Yuknavitck
The first book I ever read by Yuknacitch was her memoir, The Chronology of Water, which remains one of my favorite books to date. Her use of language is so precise, so powerful, so poetic, yet perfectly bare-boned and vulnerable. Her latest novel, The Book of Joan, is a modern reimagining of Joan of Arc that takes place on space station. Again, the language is incredible and completely unexpected for dystopian, sci-fi.
3. Roxane Gay
Gay blew up in 2014 with the release of Bad Feminist, a collection of essays that redefine what it means to be a modern feminist. But long before this, her debut came with a collection of 15 stories called Ayiti, “a unique blend of fiction, nonfiction and poetry, all interwoven to represent the Haitian diaspora experience.” Her novel An Untamed State, was released the same year as Bad Feminist. Gay also posts actively on tumblr with thoughts on life, recipes, and more.
4. Claudia Rankine
When Rankine’s lyrical memoir, Don’t Let Me Be Lonely, was released in 2004, she completely changed both poetry and CNF. Similarly, her book Citizen pushed this line of hybridity further when it was nominated for the National Book Award in poetry. Some argued that it was a collection of essays, while others saw it as poetic. Still others see it as both, and I am inclined to agree with them.
5. Anne Carson
If you haven’t read The Glass Essay, you need to get on that right now. Carson manages to meld poetry and the personal essay perfectly in this piece as well as The Autobiography of Red. Her poetry is typically prose heavy to begin with and extremely enjoyable to writers of different genres.
6. Carmen Giménez Smith
Crisp autobiographical poetry and a must-read.
7. Octavia Butler
Badass sci-fi daring to go where no one has gone before. “[Butler] defied formulaic sci-fi while exploiting the freedom of the genre to take her usually female and nonwhite characters to places where mainstream fiction would ten to deny them.”—Commonweal
8. Eula Biss
Please read The Pain Scale if you haven’t. She also has a myriad of essay collections that skillfully tackle hard-hitting topics.
9. Lorrie Moore
“Oh, the precarious position of fiction in our world: that over the last several decades the novel has continually been declared dead, and the short story is in constant resurrection, which means half-dead or post-dead or heaven-bound. But one continues writing anyway—as has been said by many—because one must.”—Lorrie Morre
10. Ruth Ellen Kocher
I had the pleasure of studying under this incredible poet whose hybrid work is constantly changing the game. domina Un/blued is a personal favorite.
11. Vanessa Angelica Villerreal
Beast Meridian is one of the most beautiful collections of poems I’ve read in a long time. It includes family photos, potent imagery, and wounding personal experiences to show the erasure and illegalization of Mexican-American bodies in today’s society.
12. Jennifer Tamayo
You Da One is highly experimental and uses pop culture references to explore the wound of American assimilation.
Most of us don’t start out reading Nietzsche, Kafka, or Joyce and with good reason—it isn’t fun!
When I was in middle school, I was obsessed with trashy romance novels (also, Harry Potter). My trashy tastes have since moved on to paranormal teen romance, which is weird because I essentially went from being a historical-adult-romance-reading teen to a paranormal-teen-romance-reading adult (funny how that works sometimes).
Now I don’t mean to put classic writers like Joyce down; after all, he gave us this gem: “The sea, the snotgreen sea, the scrotumtightening sea” (Ulysses). And he was one of the biggest literary pioneers of the 20th century, along with fellow modernists Gertrude Stein, Ezra Pound, Kafka, and Lorca.
Yes, arduous reads are absolutely worth the effort. After all, these are the texts that transform you from ‘just proficient’ to master. These are the texts that make you reach and pull and grow intellectually. I don’t think anyone would bother to argue against their value. Yet, plenty of people like to police reading habits if they happen to include garbage books.
This is something I would never have admitted to my classmates in grad school, but I don’t think I would have ended up with an MFA had I not taken an interest in salacious lady-porn-trash in the 5th grade. That was the catalyst for my love affair with reading. Despite this knowledge, I found myself asking this question during and after grad school quite a bit:
Is it okay to read unchallenging, garbage simply for entertainment value?
Okay, Joyce. We get it.
Fuck yes it is, and here’s why:
1. Challenging reads never go away.
Academic track or not, you will have to read taxing things you don’t care about for the rest of your life. It’s just a part of our existence, so you might as well enjoy what you read in your free time.
2. It will keep you inspired.
All of us avid readers/writers got here somehow, right? Maybe it was trashy romance or some cheesy, predictable mystery series. Whatever it is, I believe deep-down that everyone loves to read, and I’ve found successful ways of getting adamant, self-proclaimed non-readers to love it. It’s just a matter of finding something you connect with. There’s a reason 46% of romance readers read 1 book per week compared to the 5 books a year the typical American reads.
3. You will discover what sells.
I will never forget this life-changing advice a professor handed down in graduate school: Don’t be too high-brow to find out what sells. Part of his success as a famous novelist is attributed to reading best-sellers. As a writer, it will benefit you to have a grasp of what readers and publishers alike want. And if you happen to enjoy the “research,” so be it.
4. It provides you with sweet, sweet relief.
There are tons of psychological benefits to reading what you like. Stress relief is at the top of the list. Other benefits include natural memory loss prevention, increased empathy, sleep aid, improved writing skill, plus it’s a cost-effective form of entertainment compared to movies and certain outdoor activities.
5. You learn from it.
Even trash has an editor. If you want to ingrain grammar, spelling, and new vocabulary into your brain, keep reading that trash. You’ll also pick up naturally on the formula of the genre you like, which will make it easier for you to plan and write your novel.
6. It helps you escape reality.
“There is no frigate like a book.”—Emily Dickenson
Escaping reality might sound a lot like running away from your problems, but it’s the exact opposite. How many of us have turned to reading and writing after trauma? Your parents’ divorce, a family member’s death, surviving a natural disaster, undergoing physical or emotional abuse—even the necessary act of growing up is traumatic to some extent. Reading helps us look outside of ourselves and process these emotions and experiences. It lets us travel through space and time when we’re destitute. It keeps us from feeling alone, even if we are.
7. It empowers us.
All sorts of sexist tropes exist in trashy romance novels, and yet tons of women feel empowered by them. In Anne Browning Walker’s contribution to the Huffington Post blog,Why Smart Women Read Romance Novels, she says:
“Our society feels threatened by women having sex. Romance novels present the opposite view. Authors use sex scenes to present a healthy activity shared by two consenting adults who (in the end, if not at the moment) fall in love with each other. Heroines are sexually satisfied during each encounter. There’s a safe space to explore your fantasies and figure out what turns you on. Nothing dumb about that.”
This also goes for sci-fi novels with people of color protagonists, YA novels starring gay teens, and books like Crazy Rich Asians—one of the few novels straying from tokenism and asian stereotypes with western success. It’s kind of like Gossip Girl, but these kids put Serrena Vanderwoodsen’s and Chuck Bass’ fortunes to shame. The cool thing though, is that the book allows a large cast of asian characters to be vapid, hot-mess pieces of shit, which is pretty absent from mainstream media in the US. It also begs the question: Why are these types of works really considered trash in the first place?
8. “Good” is subjective.
What qualifies a book as “good”—or “bad” for that matter? You can check out the Goodreads and Amazon reviews or hit up the NYT bestsellers list to see what a whole bunch of people you’ve never met think. Perhaps, you should go with the literary canon pounded into you most of your life by people who’ve also had the literary cannon pounded into them?
Few acknowlege the gaping issues in the literary canon as well as the Modernist Movement I discussed earlier, which excluded black writers of the New Negro Movement (Harlem Rennaissance) at the time and appropriated West African art without citation because white writers considered this art “primitive.” (Yet they thought it was good enough to steal, lmao.) Yikes.
The point though is that it lacks inclusivity. When you can’t relate to a book, or you know your particular demographic is subjugated or excluded entirely, it makes it that much harder to enjoy. Make things simple and think for yourself. Just because your professor thinks it’s “good,” doesn’t mean they’re looking at the big picture.
9. Haters gonna hate.
If you’re in graduate school or a literary community, those in your coterie will try to shame you for reading trash. The high-brow, art school mentality is an unwitting tool of colonialism that ultimately limits the hater. But I digress. Don’t let other people decide what you should like because it will make you fucking miserable.
Let’s be real for a second though. Carrying trash around is embarrassing in these spaces. Can you imagine walking into an MFA student lounge with Twilight or Fifty Shades of Grey in your hand? Or any space for that matter? Hell no! You might as well tape a “make fun of me” sign on your back.
Still, you like what you like so if you want to avoid embarrassment, do what I do—cover that shit up with a false book cover from a more revered title that no one will want to talk about. E-books are probably the safest option, but personally, I need to hold a book in my hands.
10. It’s fun!
There is no greater joy in life than reading a book you can’t put down. So engrossing you carry it with you around the house, the office, or wherever you go “just in case.” Or you dream about going home all day to be with it. So good you lock yourself in a closet with a flashlight so you can soak it all in without interruption. This kind of reading isn’t a fun acticity so much as an addiction—and it’s a high worth chasing to the very last drop.
Q: What are you reading?
A: Currently, I’m on Book 2 of the Hex Hall series, which follows Sophie Mercer, a teen witch in her first year of boarding school. Only it’s not your average school.
Hecate Hall, or Hex Hall (as it’s been renamed by students), is full of magical beings. Sophie isn’t sure how she feels about sharing space with werewolves, fairies, shifters, and vampires—but she doesn’t have much of a choice.
Aside from being banished to Hex Hall for the rest of high school after accidently revealing herself to humans, Sophie’s situation becomes more unpromising when young witches begin turning up dead. And there are no leads as to who the killer might be.
What’s your favorite trash? Comment below to tell me what you’re reading!
Content Specialist | Editor | Poet | Dog Mom | From Nola